Wes Anderson’s colorful, dramatic world in The grand Budapest hotel

Wes Anderson’s colorful, dramatic world in The grand Budapest hotel
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Wes Anderson’s colorful, dramatic world in The grand Budapest hotel

The grand Budapest hotel movie exceeds the ratings of Birdman, which throne in the best comedy / music category. Humor directed by Wes Anderson shows through the imaginary world of the country is also not real – Republic of Zubrowka on the eastern border of Europe. There is a splendid hotel named Grand Budapest, a place frequented by wealthy people, the elite, a manager named Gustave H, and he works in the lobby of the Zero Moustafa immigration. Gustave H. has mysterious relationships with older wealthy women who later became the heir of the famous painting The boy and the apple left by Mrs. D. From here, he fell into the trap of becoming the killer of Mrs. D’s family, experiencing thrilling situations, alongside Zero’s beautiful love story with her baker Agatha.

The first few minutes are thought to be psychological films, immediately switching to humor. Pure humor, not aggressive, self-exiting through the context, people with the lines, eccentric action level. The colorful frame makes the director’s imaginary world rich. Not just as the moon rising, the Emperor’s Hotel was inspired by the writings of writer Stefan Zweig, bearing more meaning. The imaginary world is drawn to the story through the interchange of storytelling, as the old writer recounts as a young writer the opportunity to set foot in Grand Budapest, the view of the young writer and the narrator of Zero Moustafa. about the golden past of Grand Budapest.

Behind the imaginary world of the Zubrowka republic, it was the old European world, more or less dissolved after being trapped in two world wars, with the occupation of the Nazis. Imaginative creatures are real historical events, depicted with a bit of exaggeration, through the rise and fall of the iconic Grand Hotel.

Many critics regard the Grand Budapest hotel as Wes Anderson‘s masterpiece, which not only reflects the style of filmmaking, the bold colors, but also the implications of each story and line of dialogue. The end of the film reclining in the air, like the desert, degraded the magnificent hotel. Apparently the director regretted the loss of his character Gustave H-tried to hold onto the dream world, as Zero Moustafa suggested that the world might “disappear before he enters” .


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